Superheroes Are a Phase, but They Came When We Needed Them

Today I read Alison Herman “As Disney+ Looms, ‘The Boys’ Is Sweet Relief”, and I have a few issues with the points she tries to make. Her article falls into some of the common critical pitfalls that I have covered in other posts: mainly the idea that you’re somehow superior (and even kind of oppressed) if you don’t like the big, inescapable mainstream thing that’s really popular for whatever reason. She also tries to narrow the satire of Amazon’s The Boys into being just a critique of Disney’s acquisition of massive franchises in recent years, and she also makes brief generalizations about Captain Marvel and Wonder Woman without taking into account what their adaptations mean for female representation in blockbuster film.

Oh my, there’s so much to cover here.

Is This the Real Life?: Bohemian Rhapsody, Film Reviews, and Liking Mediocre Movies

Last week, I finally got to seeĀ Bohemian Rhapsody, the first-ever biopic* about Freddie I Mercury, First of His Name, King of the Virgos and the September Babies, God of Rock Music, Father of Epic Rock Logos, Immortal Gay/Queer Icon, The Great Pretender, Mr. Fahrenheit.

Freddie Mercury in the Best Top Ever

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