Okay, so ever since the teaser trailer for Black Panther: Wakanda Forever dropped, I have been obsessed with Namor the Sub-Mariner. Who’s that? This guy:
I mean, how could I not? He’s a very handsome dude who has pointy ears and ankle-wings, wears Casino Royale-esque green swim trunks and a bunch of jewelry, and radiates the intensity of a thousand burning suns. What’s not to like?
What I really like about him, though, is that he just seems so highly specific.
Okay, okay, I read VICE’s article, “The Marvel Cinematic Universe Is Not Art,” today. I mean, the title is clearly clickbait, and the whole article itself is a lot of gatekeeping. And it draws an elitist line between “art” and “content” without really telling us what art should be. It reads like the screed of an angry 40-something guy who really wanted to insult the MCU and everyone who’s ever watched one of its films. And looking at the author Patrick Marlborough’s Twitter page, it seems like he is an angry 40-something guy who wants us all to leave the MCU and Star Wars behind and…watch Mad Men? Uh, okay, Patrick.
MAJOR SPOILERS for Moon Knight Episode 5, “Asylum.”
CONTENT WARNING: This post discusses the trauma and abuse featured in this episode.
Wow, okay. This episode. THIS EPISODE. See, the reason that I love Moon Knight is that it’s a superhero show that isn’t really about being a superhero. It’s about a person with mental illness struggling to get through life and figure out what’s happening to them. The superhero genre is just a backdrop for all that. The story is really intriguing, but not in the usual, plot-ish way. This is a story about a person, a character. No, not all the things with the Ammit cult and the Ennead are going to make sense, but they’re not here to make logical sense. They’re here to facilitate Marc and Steven’s personal journey together.
Here are my reactions for this very intense episode:
SPOILERS for Episode 1 of Moon Knight, “The Goldfish Problem.”
Well, the first episode of Moon Knight was an experience. And I mean that in the best way possible. It’s a bit darker than the usual MCU fare, but not as grim as Marvel’s recent Netflix shows. It’s trippy, but not so nutty that general audience members can’t follow it. And it’s just so much fun.
Since we only have one episode so far, I’m going to put my thoughts down here in list form because I don’t really have one theme or character to write about more fully yet.
Okay, so the finale of The Book of Boba Fett was fun, but that’s mainly because of the other characters in the story. Boba’s actual character arc still left a lot to be desired, and the finale helped me figure out what the story was missing.
Here’s what would have made The Book of Boba Fett a much stronger narrative:
So we’re approaching the 2019 Oscars (sorry, the 91st Academy Awards), and this is the time when various entertainment journalists post their Oscar picks. I’m not going to do that because I haven’t seen enough of the movies, and I would either choose only the safe bets or only the long shots. Instead, we’re going to talk about why and how none of this matters in the long run.